Yesterday:
TONY ROME
LADY IN CEMENT
1st time I watched both of these in the same day!
I've seen the first one 4 or 5 times by now, and the plot is still almost impossible to follow... plus, once the resolution arrives, the film ends almost too abruptly, no sense of satisfaction, despite the hero having actually done a big favor for the married couple who hired him. Jill St. John is by a wide margin the best part of the movie, but other than that, it's too downbeat all the way thru.
The 2nd one is often knocked in comparison to the 1st, but I've always liked it better. Maybe it's because in this one not everyone is miserable all the time. Raquel Welch gets to do some decent acting (no kidding), but despite her presence, the best thing about this one, by a mile, is Dan Blocker! The story comes across as a modern-day variation on FAREWELL MY LOVELY, with a hulking thug hiring the hero to find a missing girlfriend. The difference is, in this case, the guy KNOWS the girl set him up, and, despite himself, gets to be friends with the detective over the course of the story.
A big problem with my prints of the films-- especially the 2nd one-- are, they're from local stations, faded color, and HORRIBLY butchered. I mean, not only whole scenes appear to be missing, but almost every scene had bits of dialogue missing right in the middle of sentences. Was this thing badly mistreated, or did someone just feel the need to crudely chop out naughty or suggestive words?
The station also ran about a 3-minute "movie about the movie", no words, just loud jazz music, showing behind-the-scenes clips of the making of the film. I'm pretty sure it's not actually part of the movie, more like the kind of thing they used to run in theatres sometimes, or on late-night TV to fill an empty slot at the end of a movie. (These days, if a film runs short, they usually just ADD MORE COMMERCIALS.)