| Additional Information |
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| Publication | 0000 | Price: $0.20 | Pages: 148 | Cover Artist: J. Allen St. John |
| Publisher | Ziff-Davis Publishing Company | Editor : Raymond A. Palmer |
| Notes | Vol 2, No 8.
Cover illustrates "Jongor of Lost Land." |
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| Page: 7 | The Editor's Notebook (Fantastic Adventures, October 1940) - essay by Raymond A. Palmer |
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| Page: 10 | Jongor of Lost Land - by Robert Moore Williams |
| Page: 10 | Jongor of Lost Land - interior artwork by Robert Fuqua |
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| Page: 58 | Oscar, Detective of Mars - by James Norman |
| Page: 58 | Oscar, Detective of Mars - interior artwork by uncredited |
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| Page: 74 | Fantastic Hoaxes: John Jacob Scheuchzer - essay by Willy Ley |
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| Page: 78 | Special Agent to Venus - by Thornton Ayre |
| Page: 78 | Special Agent to Venus - interior artwork by Frank R. Paul |
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| Page: 98 | The Uncanny Power of Edwin Cobalt - by Noel Gardner |
| Page: 98 | The Uncanny Power of Edwin Cobalt - interior artwork by Robert Fuqua |
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| Page: 104 | The Scientific Miler of Bowler U. - by Ivan Sandrof |
| Page: 104 | The Scientific Miler of Bowler U. - interior artwork by Robert Fuqua |
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| Page: 114 | The Elixir of Invisibility - by Henry Kuttner |
| Page: 114 | The Elixir of Invisibility - interior artwork by Ralph Johnson |
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| Page: 130 | Paganini - Man or Devil? - essay by Joseph J. Millard |
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| Page: 135 | Introducing the Author: Julian S. Krupa - essay by Julian S. Krupa |
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| Page: 136 | Reader's Page (Fantastic Adventures, October 1940) - essay by Raymond A. Palmer |
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| Page: 136 | Letter (Fantastic Adventures, October 1940): A Good Cover - essay by Duane W. Rimel |
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| Page: 136 | Letter (Fantastic Adventures, October 1940): Edward E. Smith, Ph.D. - essay by Edward E. Smith, Ph.D. |
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| Page: 137 | Letter (Fantastic Adventures, October 1940): Suberb Qualities - essay by John Cunningham |
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| The data in the additional content section is courtesy of the Internet Speculative Fiction Database under a
Creative Commons Attribution License.
More details about this book may be available in their page here |