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Features art by Al McWilliams and Earl Mayan. Mayan's work is particularly nice here. He had done a lot of pulp work prior to and after WWII but would soon be moving onto slicks like The Saturday Evening Post in the 1950s. |
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The cover of this, which is very nice indeed, has the name 'Anderson' on the plane. If this is the name of the Artist, who was it? |
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I believe this is Allen Anderson, who painted a lot of pulp covers in the 1940s and early 1950s. He also painted comic book covers for Ziff-Davis titles like "Lars of Mars." |
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Additional Information |
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Publication | 0000 | Price: $0.20 | Pages: 132 | Cover Artist: Allen Anderson |
Publisher | Love Romances Publishing Co., Inc. | Editor : Paul L. Payne |
Notes | Vol IV, No 2. Cover illustration untitled. Attributions for illustrations from credit or signatures using most complete form of the artists' names in this issue. Publication month from Ashley's "The Time Machines". |
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Page: 2 | Eternal Zemmd Must Die! - by Henry Hasse |
Page: 2 | Eternal Zemmd Must Die! - interior artwork by Earl Mayan |
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Page: 31 | Runaway - by Alfred Coppel, Jr. |
Page: 31 | Runaway - interior artwork by Alden McWilliams |
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Page: 40 | Moon of Madness - by George Whitley |
Page: 40 | Moon of Madness - interior artwork by uncredited |
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Page: 51 | Dwellers in Silence - by Ray Bradbury |
Page: 51 | Dwellers in Silence - interior artwork by Earl Mayan |
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Page: 59 | The Star Beast - by Damon Knight |
Page: 59 | The Star Beast - interior artwork by Herman B. Vestal |
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Page: 66 | Lady into Hell-Cat - by Stanley Mullen |
Page: 67 | Lady into Hell-Cat - interior artwork by Alden McWilliams |
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Page: 77 | Animat - by Basil Wells |
Page: 77 | Animat - interior artwork by uncredited |
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Page: 86 | Hostage of Tomorrow - by Robert Abernathy |
Page: 86 | Hostage of Tomorrow - interior artwork by Earl Mayan |
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Page: 118 | The Vizigraph (Planet Stories, Spring 1949) - essay by Paul L. Payne |
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The data in the additional content section is courtesy of the Internet Speculative Fiction Database under a
Creative Commons Attribution License.
More details about this book may be available in their page here |