Features art by Al McWilliams and Earl Mayan. Mayan's work is particularly nice here. He had done a lot of pulp work prior to and after WWII but would soon be moving onto slicks like The Saturday Evening Post in the 1950s.
By The Australian Panther
The cover of this, which is very nice indeed, has the name 'Anderson' on the plane. If this is the name of the Artist, who was it?
By crashryan
I believe this is Allen Anderson, who painted a lot of pulp covers in the 1940s and early 1950s. He also painted comic book covers for Ziff-Davis titles like "Lars of Mars."
Additional Information
Publication
0000 | Price: $0.20 | Pages: 132 | Cover Artist: Allen Anderson
Publisher
Love Romances Publishing Co., Inc. | Editor : Paul L. Payne
Notes
Vol IV, No 2. Cover illustration untitled. Attributions for illustrations from credit or signatures using most complete form of the artists' names in this issue. Publication month from Ashley's "The Time Machines".
Page: 2
Eternal Zemmd Must Die! - by Henry Hasse
Page: 2
Eternal Zemmd Must Die! - interior artwork by Earl Mayan
Page: 31
Runaway - by Alfred Coppel, Jr.
Page: 31
Runaway - interior artwork by Alden McWilliams
Page: 40
Moon of Madness - by George Whitley
Page: 40
Moon of Madness - interior artwork by uncredited
Page: 51
Dwellers in Silence - by Ray Bradbury
Page: 51
Dwellers in Silence - interior artwork by Earl Mayan
Page: 59
The Star Beast - by Damon Knight
Page: 59
The Star Beast - interior artwork by Herman B. Vestal
Page: 66
Lady into Hell-Cat - by Stanley Mullen
Page: 67
Lady into Hell-Cat - interior artwork by Alden McWilliams
Page: 77
Animat - by Basil Wells
Page: 77
Animat - interior artwork by uncredited
Page: 86
Hostage of Tomorrow - by Robert Abernathy
Page: 86
Hostage of Tomorrow - interior artwork by Earl Mayan
Page: 118
The Vizigraph (Planet Stories, Spring 1949) - essay by Paul L. Payne
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