This fellow Pace isn't the finest draughtsman, but his painstaking ink style is interesting. He mixes Booth-style thick-and-thin with copious crosshatching. The cartoons themselves remind me of most political cartoons of the period: heavyhanded allegories needing every object to be painstakingly labelled to get the meaning across. On that note, can someone explain the math professor cartoon on p. 17?
Link to the book:
Christian Cartoons