I shouldn't even mention this, but... "
HallMark Hall of Fame" did a TV version of "
WITNESS..." It was an all-star cast, topped by Diana Rigg. And like nearly all "Hallmark" productions... IT WAS TERRIBLE. How in the living HELL could anyone take a story that good, with a cast that fabulous, and TOTALLY F*** it up? There's a scene where Donald Pleasence has a look on his face that seems to scream to me... "
My GOD, this director is an IDIOT!"
"
...ORIENT EXPRESS" was a huge success. Apparently, so was "
...NILE". But the 3rd film by those same producers, "
THE MIRROR CRACK'D", vanished from theatres after only one week. (Some say two.) "
EVIL...", as far as I know... NEVER ran in theatres in my area!!! It's no wonder the people who did those 4 films stopped after that.
My best friend BLEW the ending of "
ORIENT EXPRESS" for me before I got to see it. But that's not my real problem with the film. Albert Finney is. every single thing about his performance SCREAMS, "This is a performance". he may look right, but somehow, he feels COMPLETELY fake. Which, he is.
David Suchet is ALSO completely fake. But he FEELS REAL. When he plays Poirot, it's like he's not even acting. HE IS that guy. Which makes it such a shock when I see him in anything else, speaking in any other voice. He's so good, it doesn't even feel like a performance. WHOA.
Peter Ustinov also doesn't feel like he's acting. I know in his case, very little make-up was required. But somehow, his Poirot feels every bit as real, even though he & Suchet are so different.
Funny enough... I also LOVE Alfred Molina as Poirot. CBS performed the same sacreledge they did with Ustinove and others in the 80s... they UPDATED the story to the modern day. But Molina's performance in his film is so good. I even love them giving him a romantic side. It helps that the woman Poirot falls for is one of the most gorgeous actresses I've ever laid eyes on.
"
THE MIRROR CRACK'D" is the most low-key of the 4 John Brabourne / Richard Goodwin AC films. It took a while to grow on me. But these days... it's my FAVORITE Miss Marple film by a mile. I remember being shocked when I found out some years later... that Angela Lansbury was NOWHERE NEAR as old as she looked in the film. The make-up was that good. She looks like that NOW.
I also love Edward Fox as her police inspector nephew. And the onscreen verbal catfights between Liz Taylor and Kim Novak are hilarious.
I understood "
EVIL..." each time I saw it. But I cold never REMEMBER the details. Each time, it was like watching it new. It's THAT complicated. I finally nailed it some years ago, when I fell asleep on the last 20 minutes. I got so angry, I got up, got some food, came back, wound the tape back and watched the last half-hour again. SUDDENLY... I "got" it. And I've remembered it ever since.
It's like this. The only way to really remember WHAT happened WHEN... it to understand... WHY. (This sounds like a Don Adams routine.) You must grasp the MOTIVE for the murder... otherwise, the chaotic mess of who's doing what where when, is almost impossible to follow.
I love how I can say this WITHOUT blowing it for anyone who hasn't seen it.