Gordon probably ended up with Carlotta in that ugly little room. Double happy ending. The art was really good on that story with great backgrounds despite the fashion & architectural ignorance on display!
Almost ALL Golden and early Silver Age comic books with semi-realistic stories travelling to exotic lands contained "what is wrong with this picture"-type visual or text informational errors. That is because the story writing pay for most comic books was so low, that comic book story writers couldn't't afford to spend virtually ANY time doing research, to assure that there were no glaring errors in the settings, and especially in stories that involved historical settings and events. In the earliest period of comic book publication, when publishers needed to pay decently, to entice professional writers to notice new opportunities in the newly-opening market, the few well-paying offers were filled by pulp writers, who already had crank-out systems in operation, that basically used mainly clichees to avoid spending more than a couple minutes on researching for a given story. Most of them already had them in their minds for Latin America, The Far East, Polynesia, Africa, The Middle East, Australia, The American West, The Romans, ancient Greeks, Mongols, etc. So, most often, effectively, no research was done by the writers. The artists often had stashes of photos of period clothing, animals, landform backgrounds, etc., and only the dedicated might make a short trip to a library to get books for any especially esoteric subjects they might decide to portray (or were actually "assigned" to them by the story writers' inclusion in their stories.
So, it's no wonder that a goodly percentage (if not most) Golden Age comic books that have stories taking place in exotic lands, and/or back in distant historical periods, have setting and characterisation lack-of-researching type errors. It was a rare, dedicated story writer or scenaricist/plotter, who was willing to basically "donate" money from his contracted pay or wages, to ensure more realism in his or her tales, given that the pay for such jobs resulted in the person "living from hand-to-mouth", IF that writer didn't have some other, higher-paying source of income providing enough supplemental income to get them by; or, as in most cases, the comic book writing just provided supplemental income to add to what they got from their main source or sources (short stories to magazines, book publishers for regular books, pulps, comic strips, one-panel cartoons, newspaper articles, journals, writing for animation, advertising, or just regular, unrelated, "day jobs".
I know from my own experience from the 1970s till now, plus that of my colleagues over the years, that that was the case from the late 1940s till now, and it likely was (although there was a little more opportunity for the comic book writer to "donate" more time to "research" his or her story detail requirements during the earliest (1936-46) period. But, even then, on the better-paying "enticement jobs", it was only the very dedicated writer, who did enough research to do his job correctly. The comic book industry was always a sales volume business, selling an extremely low-cost product, mainly geared towards children and lower-educated adolescents, so publishers had really low profit margins, needing high sales counts. And a few errors in settings and historical details didn't matter, because most of the readers wouldn't notice the difference, and most of those who WOULD notice those errors, were more interested in the action and emotions of the characters, and the errors in the details wouldn't stop them from liking the stories or from buying the books.
So, such errors become just a "charming" added feature, bringing in more nostalgia, for readers of Golden Age comics. But, for a historian, like me, it makes me cringe every time I notice one. That's because I was introduced to comic books by Carl Barks, who spoiled me, by "donating" LOTS of research time, to ensure realism in the settings of his "Calisota/Duckburg Universe", and include actual historical facts, when basing his adventure stories on historical events or legends.