Mister Mystery has to be the least intimidating horror host ever. He looks like a middle-aged banker who's returned from a costume ball.
"The Hand" would be a hundred times better if we had some clue as to why Tom's twin hates him so. "Just because" doesn't do it when the hater feels compelled to return from the dead to continue his hating. The ludicrous ending with the extra hand further clouds the question of motive. Could Tim be channeling the unformed triplet's anger at not having been born? With a couple of rewrites this could have been an eerie and unsettling story. Ross Andru's art is strong. Andru is under-appreciaated, partly because (in my opinion) eternal inker Mike Esposito didn't serve him well.
"Death a la Carte": Pre-Code horror comics are filled with blameless people meeting undeserved deaths. Still I want some justification for calamity striking. George considers murdering Dennis then decides against it. Dennis dies by accident, but his spirit tortures and kills George as if the man were really a murderer. It does not compute. Art is competent, but if you compare it to the first story you'll see that, contrary to the index card, this wasn't pencilled by Ross Andru.
"The Bloody Jinx" has too many loose ends. It isn't helped by messy panel layouts which need arrows to tell the reader in which order to read them. It vexes me that villain Lucifer H. Diablo looks like the Devil, dresses like the Devil, bears the Devil's name, and even says, "I, Lucifer, command it!"--but he isn't the Devil. He's just some power-hungry encyclopedia salesman. Mortellaro's drawings are serviceable apart from the bad layouts, but he compulsively fills the walls with what appear to be big pieces of popcorn.
"Television Ghost": Somebody was certainly bitten by Kurtzman before he drew this one. The simple plot is the most coherent in the issue. It's the art that sells the story, though. Reading this I had a sudden nostalgia attack, remembering all those forgotten artifacts of early TV: ghosts, snow, rolling, fringe areas, antenna rotators, rabbit ears, test patterns, and the sign-off prayer.
We've read stories like "The Tree of Vengeance" a million times. I'm curious to know why the villain's original name was whited out and replaced by "Lujack." Respectable Andru artwork.
This comic gets an overall "meh" from me, but the more I look at the ersatz Kurtzman story the more I like it. Was it really drawn by Andru?