Well, I just got back into the country after hours of international travel, so perhaps I'll rant a bit about the neccesity of c2c.

OK, I won't go off the deep end, but I do very much appreciate your c2c conversion, Narf, besides the selfish notion that every comic scanned c2c is a comic I won't feel the need to rescan later.
On my vacation, I checked out Michelle Nolan's recent book on romance comics (not utterly thrilling, but utterly thorough and certainly a must have for a romance nut like me), and I very much enjoyed her examination of how each company reacted to the comic code in terms of advertising in their romance comics. I love naughty comics and hate censorship, but ol doc Wertham's heart was in the right place as far as a lot of his concerns about this new sort of media that was one of the first types of media aimed directly at children. Another one I read recently, Comic Book Nation, points to golden age comics as sort of a starting point in the juvenilazition (sheesh, did I spell that right?) of our culture whereby media seems to be aimed at a younger audience as time marches on (far more absurd now than then, perhaps why it's so hard to find a decent flick at the cinema). In golden age comics, we find some of the first attempts of publishers to advertise directly to children and teens in the printed media, sometimes very effectively and sometimes not so much. As a parent of a 3 and a 5 year old, I recognize how sophisticated and effective advertisers have become in their trade and I like seeing some of the earlier efforts of advertisers to capture the minds and $$$ of American children. While I can sympathize with the fact that scanning the same page of the miniature monkey in a cup for the hundredth time seems a bit ridiculous, I still feel it is enormously important that our library contain all of the ad pages for all of the comics because there is an enormous amount of sociological data in the ads. Not to mention that even on an aesthetic level, art does not exist in a vacuum and should not be removed from it's economic contexts. I find bits and pieces of golden age comics to be so profound precisely because the medium is so popular and "vulgar," I appreciate reprints but somehow the stories and art lose something outside of their original context. I guess I'm just a "junk"-lover!

Cheers,
Darwin