It's true. I can barely stand to read a regular-old, boringly-normal "straight" Western. (Well... let's put it this way, it has to be pretty damn good. Like JONAH HEX good.)
But if it's a Western superhero like Zorro, the Lone Ranger, or any of the seemingly endless legion of cloned rangers (Masked Raider, Masked Rider, Lone Rider, Black Rider, Ghost Rider, Hooded Horseman, etc.) then I'm in. Even better if it's a Western Marvel superhero, Like Kid...
Anything (or The Anything Kid, just for variety). Was there a
Kid Rider?
Kid RANGER?
The Masked Kid?
The LONE Kid? Well, there
should have been.
With some of these cloned rangers, it's kind of hard to say where it stops being a Western and becomes more of a bona-fide superhero story. I think the one I've seen that blurs the line the best is Charlton's GUNMASTER AND BULLET THE GUN BOY. I might be wrong about this, but I think this is the only cloned ranger story I've seen where the sidekick went the traditional Golden Age superhero route of being a boy with an identical costume to his adult mentor, except for wearing a simple domino mask.
One of the things I had the most difficulty wrapping my brain around is how Westerns just kept on being set in the then-contemporary "present" right on up through the 1950s. (But then again, the entire Western genre was
invented by dime novels, and was contemporary with what we now call the "Old West" of the 1870s.) Science fiction, always being a somewhat risky marketing venture up to just about that time, could always be hedged by combining it with the ever-popular (up to that time) Western genre. When the evil underground Phantom Empire of Murania attacks the surface world, who are we going to turn to, to stop them? Why, none other than Gene Autry of Radio Ranch (because, let's face it,
everyone loves a musical, so how can you miss with a singing cowboy?) DC's original Golden Age
Vigilante was another contemporary Western/superhero genre fusion, and Greg Saunders was a singing cowboy with his own radio show, to boot! It's as if they just went and put Gene Autry in a mask, and swapped his horse for a motorcycle. But getting back to the sci-fi/Western fusion, Charlton Comics was never shy about trying to find new subgenres of Westerns. Not only did they bring us COWBOY LOVE, but who can forget Spurs Jackson and his Space Vigilantes, starring in SPACE WESTERN? Most people think the Nazis fleeing the fall of Berlin evacuated to South America, but the ever-reliable Spurs Jackson goes to Mars to perform a mop-up operation of leftover Nazis there.
Now I know many of you must have been wondering, as I was... "Has a gypsy fortune-teller ever been the star of her own comic book?" At most comic publishers, the answer to that question would be something best paraphrased as "Are you out of your ever-loving mind?!?"... BUT
not at Charlton Comics, who brought us ZAZA THE MYSTIC (I'm thinking she may possibly have been from the gypsies of Hungarian extraction, and pronounced her name as "Zsa Zsa").