Tally-Ho Comics (Dec/1944) Swapper's Quarterly/Baily Publications
Boy, what an interesting hodge-podge this is! I forget who here recommended this title to me but thanks!
Snowman by John Giunta and Frank Frazetta. This is the only story with a credit and what a weird story it is! Our hero, Snowman, looks like he just stepped out of an Ub Iwerks animated cartoon but the rest of the characters are pretty realistically illustrated. The villain, a demonic looking monster maker is a very vicious character who is quite a contrast to our hero. It's almost like seeing Casper the friendly ghost going up against the Golden Age Red Skull. From what I understand this is Frank Frazetta's very first work in comics. He must have been still in his teens when he did it.
He-Man. Well I can tell you that this story's principal plot device (grandson being given a talisman which allegedly helped his grandfather in war but which is in reality just an umbrella handle, gains courage enough to overcome his fears) is lifted straight out of Harold Lloyd's hit 1922 motion picture comedy feature Grandma's Boy. I don't know who this artist is but I do like his work. Limber figures, nice comic expressions and some great loose brush work. Can anyone identify this artist for me?
Captain Cookie. Kid has wild adventures while dreaming. Nothing new here as this sort of thing had been going on since, at least, Winsor McCay's Little Nemo in Slumberland. Nothing special about the art either. The weakest story in the book, IMHO.
The Man in Black. Wow! After two mildly humorous stories we are suddenly thrown this grim story (of a severed hand pursuing its owner's killer) looks as if it were pulled from a grisly pre-code horror comic from the next decade! The depictions of the severed hand with its bones, flesh, veins and meaty pieces hanging off it are actually more graphic than most of the pre-code horror comics that I have looked at so far. This story must have given many an unsuspecting kid nightmares as they stumbled across it at the end of the book! The art, though unsigned, reminds me of Bob Fujitani's work from the period. I could easily be off on that assumption though as there are still many Golden Age artists whom I still need to familiarize myself with.
Does anybody know any of the particulars of how this book came about? I suspect part of the story has something to do with war time paper allocations but would love to hear anything giving background on this book.
Thanks to all who made it available here!
Best
Joe