I do kind of roll my eyes at the cliched "prove the convicted person innocent" story. It turns up in fiction so much that it tends to undercut the whole process of the original investigation of the crime, and the competency of prosecutors, defense attorneys, judges, and juries,
It turns up in real life quite a bit too. it's a good plot device. You not only have to tell a story, but have the reader care about the narrative, so developing a convincing wronged and sentenced person works, and they do that well here.
I'm more disturbed by the fact our brave new world still has a death penalty!
Well, that subject could make a Science Fiction all by itself, and I think it has at times.
I'll be honest, I didn't finish this one. I found the artwork to be of very high quality: the faces of each character are distinctive and defined, the scope of each panel appears to my amateur mind to be instinctively accurate. What I didn't enjoy is the plot. I can't put my finger on exactly why I didn't enjoy it: at first I felt the space setting was a gimmick, and that the whole plot could have taken place on Earth without any real changes.
Quite right in all that.
The story is very basic and clearly Ron Turner is more interested in using the story as a basis for depicting his imaginary world than the plot itself. And what a world it is. Even in a Flash Gordon story, the art is used to drive the narrative. Here the narrative is used to create the art. But Turner is also very good with drawing people including 'Good Girl' art.
In late 1954, Fleetway's SUPER-DETECTIVE LIBRARY which had been running sf stories, began a series called Rick Random - Space Detective and editor, Ted Holmes, impressed with Turner's work, decided to try him out on the character. With the many design opportunities for spacecraft and machines, Turner soon warmed to the series and gradually began to make it his own, adding new ideas to the artwork to improve the story. In this, Turner had found the ideal comic strip. No longer did he have to provide covers, scripts and lettering but simply to produce the artwork for well-written stories, which he would enhance as he felt necessary. The series lasted five years, and together with Space Ace, represents some of his finest work of the 50's.
I really enjoyed this, to appreciate it, take your time and enjoy that great imaginative art.
Check out page #29 where they receive a
MFF - MicroFotoFax. A Fax? in the early 1950's? Did he make that up from his imagination?
I wondered if, like
Dave Gibbons, Turner had trained as an architect, but I can find no evidence for that.
The Random series is crying out for a CB+ Archive.
Here is a bio.
http://www.illustrationartgallery.com/UKComics/RonTurner/RonTurnerBiography.htmlIt also seems Turner did some
Star Trek.https://www.startrekcomics.info/uktosstrips.htmland
The Daleks But in 1965 he was tempted by an invitation to work on The Daleks for TV21 comic. This would be the first colour comic strip Turner had ever worked on and although it would also be time-consuming, he found he couldn't turn down the opportunity to draw sf again. The result was some of the most stunning work he'd produced for years. Having only the Daleks to portray accurately, the rest was a tour-de-force of his prolific imagination with the design of spacecraft, machines and strange creatures, set against fantastic backdrops. Left to his own devices, layouts and colour techniques were also given consideration as he experimented with different presentations of overlapping frames, open frames and almost three-dimensional ones as spaceships blasted out of the page towards the reader.
Here is the Dalek collection
https://www.goodreads.com/book/show/6556679-doctor-whoFantastic stuff.
I think I have this collection but a more recent edition.
And the
Gerry Anderson properties.
in 1968, TV21 came knocking once more, this time for strips based on their definitive series, Thunderbirds. The work was for a Summer Special but ultimately lead to related strips and over the next few years he worked exclusively on all the Gerry Anderson annuals including Stingray, Captain Scarlet and Joe 90.
And
Dan Darein 1985, Turner took on his fabled rival Frank Hampson and revived 'Dan Dare' for the new series of Eagle. Ron Turner died at the age of 76 on 19 December 1998.
https://www.lambiek.net/artists/t/turner_r.htm Terrific body of work!
Not sure that Rick Random isn't his magnum opus, best body of work!
Thank you
Kingcat. Excellent choice. If you have anything else you might like to feature, please PM me.
Cheers!
Something new tomorrow night!