An entertaining pre-superhero book. Better art than the typical 1940 comic.
"Zoro, the Mystery Man" is certainly a bloodthirsty cuss. The story is steeped in B-movies of the day...the stock casino locale with a wronged heiress saved from suicide even showed up in musicals (e.g. "Let's Face the Music and Dance" with Fred and Ginger). I'm struck by how polished the artwork is. Whoever Alfred Duca is, he's a cut above the early Golden Age norm. Except in the way he avoids drawing backgrounds. Zoro looks like Mandrake. I expected him to be a magician. I don't see what the "mystery" is about him. Everyone knows who Zoro is. If he has another name, who cares? To have a mystery man you need to create the impression he's hiding something.
"Hurricane Hansen:" Kind of a nothing story. Hansen sets out and blows everything up. We never get the impression the fortress is very menacing...we never see it in action. In fact we never even see the entire fortress. The art is clunky in spots, especially the faces, but it's an earnest effort. I'd read another Zoro story but I'll skip Hurricane Hansen.
The factoid about phone calls in New York brought back memories of the days when you could dial a number and hear the correct time. In Snohomish the number was 114. Somebody, probably Gahan Wilson, drew a cartoon showing an emaciated, zombie-like telephone operator sitting in front of a microphone saying, "The time is ten-twenty. The time is ten-twenty and thirty seconds. The time is ten-twenty-one..."
"Jim Dolan" enjoys another nice art job, the figures especially. The story is okay, though the surprise ending is no surprise. "Zoto, the Outlaw Politician" sounds like a great series character.
"Lucky Lawton:" Grat Guth has to be one of the least euphonious character names ever. I was surprised to learn that George Evans was trampled by a bull. Then who was the guy who drew all those great Fawcett comics? Some pal, Lucky, using his dog as a decoy. Guth could easily have shot poor old Pal. Hal Sharp's art is pretty good.
"Diamond Jack:" This story is so odd you'd almost think Fletcher Hanks wrote it. "All the black magic that the Sky Demon made changes to rain that falls softly on the ground." But, hey, any story with flying gorillas is all right in my book. Again Gus Ricca does a good art job. The Sky Demon's face reminds me of Mac Raboy's sharp-toothed bad guys.
"Mark Swift and the Time Retarder" needs much better artwork to sell such an elaborate story. The only really good panels are the Hal Foster swipes. At least the artist puts a little effort into the final page. I had a hard time following the script.
"The War Bird" reads like a World War I story with modern aircraft. It pains me when a story featuring airplanes is drawn by someone who can't draw airplanes.
"Lee Granger, Jungle King" is enjoyable loopy. A beautiful woman raised by the ants??? Lee may be the King, but it's the girl who saves him, not to mention all humanity, with her marksmanship. I wonder why she addresses Lee by his full name. The art has its moments. Overall it has a 1920s vibe.
I had a good time with this book. The only thing that really bugs me is putting the captions at the bottom of the panel even when they're supposed to be read first. An old Italian comics trick. Drives me nuts.