As much as other readers dislike Westerns, I dislike war comics. I'll try to give it a fair reading.
The first thing that strikes me is how strongly Harvey Kurtzman's EC war comics affected the industry. The narrative style, titles, splash page caption technique...you find it everywhere from Atlas Comics to Stanley Morse. However writers don't always live up to their models. These stories are familiar cliches: coward proves himself, new commander proves himself, rivals come to appreciate each other, Buddha proves himself (just kidding). Easily read, immediately forgotten.
The artwork reminds me of Charlton war comics: serviceable art with minimum attention paid to setting, hardware, or composition. Generic, like the stories. In the Buddha story I wasn't sure until the Commies showed up whether it was set in Korea or WWII.
The ads are more interesting than the stories. Joe Bonomo was a movie stuntman (he doubled for Lon Chaney in the silents) who entered the body-building biz when his career dried up. What confuses me about this slice-of-life comic is how Vic goes from self-improving shop worker to television wrestler. (He is a wrestler, right, not a boxer?) Somehow his buddy Tim sets Vic up with "Casey over at the arena" even though Vic has no experience or training. Just a fantastic body. Maybe that's all it takes.
The Mini-Gym ad is even stranger. The boss won't promote Tom because he can't beat up workers on the shop floor. After working out and turning into Captain Marvel, Tom socks a worker and becomes a supervisor.
I owned one of those "rocket radios." It was a basic cat-whisker crystal set and picked up the stronger AM stations. It's fascinating how crystal radios work without batteries.
SuperScrounge: you're probably right, for women key to success would probably be a torpedo bra. It's funny how many comics from this period (not this particular one) offer products to help women become sexy by gaining weight. Try selling Wate-On to women today!