I'm fine with an occasional video / radio selection. Watching shows is harder for me to get around to, however, than reading comics, a I prefer to watch a show in one sitting. With comics I can read a story here, a story there.
Anyway, this was an interesting pair of episodes. My opinions seem to be the opposite of most of the commentators.
The Veil: From what I read this episode wasn't necessarily typical of the series because it was bought already made from another production company. I might take a look at other episodes to get a feel for the show. This episode held my interest. Scripting and direction were workmanlike but the acting was solid. Knowing it was supposedly based on fact, I looked up the story of the real-life psychic. I wound up falling down a rabbit hole of Jack the Ripper history teeming with frauds, hoaxes, myths and speculation. As recently as two years ago forensic researchers "proved" with DNA evidence that a Polish immigrant, Aaron Kosminski, was the guilty party. The evidence, a bloodstained shawl from one of the victims, has spent over a century passing from hand to hand. The present owner, a Ripper enthusiast, bought it at auction. I don't know how reliable such evidence would be.
I had no problem with Boris Karloff's introduction. I got the impression the producers wanted a quiet, urbane host. Perhaps they wanted to distance themselves from the melodramatic, sinister hosts of radio shows like The Inner Sanctum. I agree with all who have pointed out that Karloff had a much wider acting range than he was given credit for. Incidentally, I noticed that the music was by Edwin Astley, whose compositions brightened Secret Agent and The Saint.
To me One Step Beyond always seemed like the TV equivalent of pre-Code DC supernatural stories. Well-crafted but restrained and unwilling to get too scary. I was pretty young when it was on and I don't remember any of the episodes. I do remember the tune that played under the end credits and during the episodes' spooky moments. I still have the TV soundtrack LP with its silver-foil-stamped cover to honor the sponsor, Alcoa Aluminum.
The episode itself was excruciating. I promised myself I'd watch both shows all the way through, but five minutes into this one I wanted to scream. I don't care who he understudied, Alfred Ryder's frenzied overacting made Robert Newton look like Jack Webb. At first I thought there would be a payoff to his bizarre behavior, hooting and jerking and leaping around the room. Maybe he was mad, or possessed. Nope, he was acting! The part certainly called for a larger-than-life performance, but not an unhinged one. For some reason I found myself imagining Stanley Holloway in the role.
Meanwhile the story moved at a glacial pace. It was basically a two-paragraph "strange but true" factoid stretched into an interminable half-hour. The writers must have known it, for they used every dodge they could think of to delay revealing why the murderer felt he was invulnerable. Once he did that I instantly knew how the story would end.
Production design, lighting, and direction were much better than in The Veil, but the boring story and Ryder's performance didn't make me feel much like trying another One Step Beyond.