Let's see, since then I've watched a bunch of pilots...
BLACK LIGHTING -- very good, but WAY too nasty for my tastes. it reminded me of some of the stuff I wrote back in high school, except without any sense of fun or humor. I just kept wanting the villains to DIE as quickly and as violently as possible.
KRYPTON -- very good, but the whole time, I kept being reminded, more than anything else, of Timothy Truman's 3-issue prestige mini, "HAWKWORLD". I told Truman this! I said what he did was 30 years ahead of it time.
TITANS -- I didn't like this at all. while Raven is cuter than she ever was in the comics, her story is far darker, sicker, more disturbing. Also, I didn't like what they did with Starfire either. And as for Robin, I can't abide ANY version of Batman where Robin had a terminal falling out with his best friend, crime-fighting partner & adopted older brother. (Consider this a big F*** you to Denny O'Neil and the entire Post-Crisis Batman.)
DOOM PATROL -- weird, sick, way, way too much profanity, and yet, strangely mezmerizing. I was floored that they focused so much on the original 4 characters. The slow evolution and growth of Robotman was amazing, especially once he reached a point where he was so cool with things. And I was genuinely stunned by how good Timothy Dalton-- long one of my favorite actors-- brought Niles Caulder to life. He even seemed to have the SAME accent as Sebastian Cabot, the actor that Caulder was originally based on! I kept wondering what Arnold Drake might have thought of all this.
SWAMP THING -- This felt in parts like a much-better version of Carpenter's "THE THING" in spots. I got so much into the main character, that it really hurt when, near the end of the hour, he got MURDERED in such a horrific way, only to come back (not quite) as a swamp creature. My best friend lamented that this was cancelled before its time, because behind the scenes, someone else wanted to do THEIR OWN, unrelated version of SWAMP THING. W--T--F???
PENNYWORTH -- Like watching a really well-made train wreck. Nasty, VISCIOUS, brutal, but oddly satisfying. Not sure I'd ever care to see more of this or not. Apart from Alfred sounding an awful lot like Michael Caine, the other really weird thing was the 2 hired enforcers, the totally-insane blonde woman and her chauffer, who reminded me of REALLY EVIL versions of Lady Penelope Creighton-Ward and her butler Parker from THUNDERBIRDS.
SUPERBOY -- How is it a show from the 80s looks and feels like a Saturday morning show from the early 70s??? My friend sent 2 episodes, one from each season. I see Fred Freiberger was producer & writer on the first, while Mike Carlin & Andy Helfer were involved in the second. A definite improvement. I'd seen one of these a couple years ago, and thought the show managed to capture the feel of Silver Age DC Comics FAR BETTER than the Christopher Reeve movies ever did. REALLY.